New Work: Oizys - the Personification of Misery
 

Detail of Oizys, Artist: Andrew Binder, 2024

 
 

Honestly, this image wasn't originally meant to be so...purple, but I decided to let the process go where it was taking me. I originally saw it as overwhelmingly blue, but it kept coming out a bit too drab, and so more and more magenta tones kept being added. Like my prior piece Man, Composition in Red and Blue, this is a bit of an experiment mixing digital watercolor in with elements of my usual process (with the digital watercolor taking the lead). I'm experimenting with this flattened, mysterious figure idea at the moment.

The title Oizys refers to an ancient Greek goddess, a lesser deity that personified misery, distress and suffering. As usual, I'm not concerned with being consistent with any traditional visual representations of this mythological figure. Rather, I use the title "Oizys" as an expressive conceptual device. A lot of my work represents what I'm feeling at the moment, or is a reflection of my feelings about what's going on in the world around me, etc. I wanted the figure to appear almost as a phantasm whose features were not clear or distinct, yet conveyed a feeling of sadness and foreboding. A harbinger of doom. “Oizys” seems a perfect reflection of the feelings that were going into this image when making it.

 
 
New Artwork: Nocturne
 

Detail of Nocturne, Artist: Andrew Binder, 2024

 
 

Nocturne was started almost a year ago, with a different  concept and a completely different color palette. It was abandoned for awhile as my attention was diverted to other pieces and ideas. When I returned to it, I immediately started changing it to fit my current mood and direction;  building upon the foundation of what was done previously.  I began to change the palette to reflect a much darker, cooler feeling. I began to paint it differently as well in a manner that I am beginning to think of as my “New Expressive Style”. The end result, is an amalgam of the past and present, of older and newer developing techniques. A transitional work, that has one foot in what was, and the other in what is to come.